from Winterreise, Op. 89 (1828) Franz Schubert
I. Gute Nacht (Good Night) (1779-1828)
V. Der Lindenbaum (The Linden Tree) arr. Matt Evans
XVIII. Der stürmische Morgen (The Stormy Morning) 18’
XXIII. Die Nebensonnen (The Phantom Suns)
XXIV. Der Leiermann (The Hurdy-Gurdy Man)
Robert Swensen, tenor
from Mishima: A Life In Four Chapters (1985) Philip Glass
Mishima/Opening (b. 1937)
November 25: Morning
Runaway horses (“poetry written with a splash of blood”) 20’
Eastman Saxophone Project
Chien-Kwan Lin, director
Jonathan Wintringham, assistant director
Ting-Hua (Arthur) Liang
Khanh Leland Nguyen
Jiaqi (Kevin) Zhao
MEET THE ARTIST
Robert Swensen received his BM from the University of Arizona and graduated MM cum laude from the University of Southern California. He went on to participate in the San Francisco Opera’s Merola program and to have contracts with the Staatstheater am Gärtnerplatz in Munich, the Bayerische Staatsoper in Munich and with the Staatsoper Unter den Linden in Berlin. He won first prize in the Concert Artists Guild International Competition and presented his NY debut recital in 1987. He has received prizes in other contests that include the Premio Giuseppe Borgatti Concorso, Italy, the ARD Munich Competition, Walter Naumberg competition, the ‘s-Hertogenbosch in the Netherlands, the Puccini Foundation and the George London Foundation.
He made his Carnegie Hall debut as George Brown in Boieldieu’s La Dame Blanche with Renée Fleming and Opera Orchestra of New York under the direction of Eve Queler. He also was a frequent soloist with the Mostly Mozart Festival in Lincoln Center appearing in the title role of Il Sogno di Scipione by Mozart. Mr. Swensen can also be seen in Oedipus Rex – both on a recording for RCA and in the film for PBS Great Performances Series created by Julie Taymor. He went on to perform the title role in that opera in productions in Montpelier, Naples and at the Epidaurus Amphitheater in Greece with Gérard Depardieu. He appeared on Bavarian Television in both the St. John Passion with the Munich Collegium / Bayerischer Rundfunk and Weinachts Oratorium with the Windsbacher Knabenchor under Hans-Friedrich Behringer and the Bayerischer Rundfunk Orchestra. Other international performances include appearances in Rossini’s Mosè for the Teatro La Fenice, Wagner’s Das Liebesverbot for the Wexford Festival Ireland, Mozarts Die Entführung aus dem Serail for the Vienna State Opera, the title role in Stravinsky’s Oedipus Rex for the Teatro di San Carlo in Naples, the title role in Mozart’s Idomeneo for Antwerp Opera Belgium, Nadir in Bizet’s Les Pêcheures de Perles for the Opéra Comique in Paris, Giannetto in Rossini’s La Gazza Ladra in Palermo, the title role in Mozart’s Mitridate at the Teatro Regio di Torino and Il Sogno di Scipione, Il Barbiere di Siviglia, Die Zauberflöte, L’elisir d’amore for the Bayerische Staatsopera Munich. His concert appearances have included Carmina Burana for the Munich Festival, Elijah at the Herkulessaal Munich, The Creation at Teatro dell’Opera di Roma, Giuseppe Sinopoli conducting, Schumann’s Das Paradies und die Peri for the Accademia Nazionale di Santa Cecilia, Rome with Wolfgang Sawallisch conducting, the Mozart Requiem in Cologne with Gary Bertini conducting and as the Evangelist in the St. Matthew Passion at the Amsterdam Concertgebouw with Nikolaus Harnoncourt conducting.
In the United States, Swensen has appeared in Così Fan Tutte for Santa Fe Opera and Opera Pacific, Turandot for Arizona and Kentucky Operas, Il Barbiere di Siviglia for the New York City Opera tour and in Don Giovanni and La Bohème for the San Francisco Opera’s Western Opera tour. Other contracts include A Midsummer Night’s Dream, Die Zauberflöte, Il Barbiere di Siviglia and Argento’s Postcard from Morocco for the Opera Festival of New Jersey, Sweeney Todd for Augusta Opera, The Elixir of Love for Madison Opera and in the title role of the Stage Manager for Lake George Opera’s professional premiere of Rorem’s Our Town.
A very successful recording artist, his extensive discography includes Saint-Saëns’s Samson et Dalila and Stravinsky’s Oedipus Rex for Phillips, and Oedipus Rex for Great Performances on PBS, Schumann’s Das Paradies und die Peri for Deutsche Grammophon, the title role in Haydn’s Orfeo and the role of Duca Ottavio in Gazzaniga’s Don Giovanni for Orfeo Records, St. Phar in Adam’s Le Postillon de Lonjumeau and Graf Hugo in Spohr’s Faust for Capriccio records, Orff’s Trionfo d’Afrodite and Mendelssohn’s Elijah for EMI records, the Opera Singer in Werner Eck’s Yolimba and the Bach St. John Passion for BMG/RCA and the tenor arias for the Bach Christmas Oratorio for Teldec. A passionate enthusiast of song literature, Mr. Swensen has recorded Breath in a Ram’s Horn – Songs of Daniel Asia for Summit Records, Once in a Dream – Songs of Alfven, Grieg Sibelius and Rachmaninoff for Capriccio Records, Night and Dreams – Songs of Franz Schubert with James Day, guitar for ClearNote records and will soon be releasing a CD of Lieder by Schumann (Kernerliederand the Dichterliebe) partnered by pianist Paula Fan.
Swensen is devoted to the performance of lieder and has been featured often in the Faculty Artist Series of Eastman School as well as in numerous masterclass–recital series in the United States and in Europe. He presented a Schwabacher debut recital for the San Francisco Opera series and was a frequent guest of Herman Prey in the Schubertiade performances in both NYC and in Vienna.
Swensen was an Assistant professor of voice at the University of Wisconsin-Madison School of Music (1996-97), an Associate professor of voice at the University of Arizona School of Music and Dance (1997-2001) and has been a member of the Eastman School of Music faculty since 2001. He is a frequent adjudicator for NATS, Concert Artist Guild, Metropolitan Opera Council Auditions and the Classical Singer Magazine convention where he has presented yearly master classes on the pedagogy involved in training of the young male voice.